Listening Tents

July 29th, 2010

I think everybody loves a secret hideaway; there is something very special and almost magical about being in a tent.  I recently came across two projects that got me thinking about these kind of specialized spaces and the possibilities of using them in cultural institutions.

The first project took place at this year’s Port Eliot Literary Festival in Cornwall.  The organizers invited artist Dré Wapenaar to showcase his ‘Tent Village Revisited’ (middle), a series of rounded structures clustered like woodland mushrooms.   The tents were available throughout the event for, “…communal conversations and interactions as well as a place to chill out with fellow festival-goers.”

The Weisman Art Museum in Minnesota recently started Tent Services, a program where citizens can check out  ‘Expeditionary Conversation Tents’ (bottom) for use inside or out of the museum. The premise is simple; the tents are available for free, provided users share some information about what took place during their expedition along with some photos.  Designed by Peter Haakon Thompson, these tents create a lovely, focused space for personal interaction, something not always easily achieved in the hustle and bustle of larger buildings.

(top left image: The Paper Tent)

Museum of London: Streetmuseum

June 26th, 2010

The Museum of London recently launched a free iPhone app that looks amazing.  Streetmuseum uses hundreds of the institution’s archival photos and links them to Google map.  As you walk around the city you can actually hold up your phone and the historical image will superimpose on your screen (above).  This is one of the best museum apps I have seen – it makes me wish I had spent a little more on a phone when I got here.  My nine pound Samsung can’t handle that much awesome.

The Selby Window Apartment

June 18th, 2010

The Selby is a photography website that has gained fame by capturing the world of creatives in their living/work environments.  A few months ago Todd Selby released a book of his work and promoted it at the Paris boutique Colette.  The Selby took over the shop’s front window (top) and set-up residence for five days with a whole range of events, including everything from karaoke to interior design consultations (bottom right).  All events were open to the public and free of charge.

Community Spaces: Southbank Centre and Pielab

June 12th, 2010

This past year, living in the crowded expensive city of London, I have come to really treasure open community spaces.  One spot that I love is London’s Southbank Centre.  This enormous complex houses cultural icons like the Royal Festival Hall and the famous Hayward Gallery.  But of equal importance to me is the building’s simple lobby (left); a place filled with tables, couches, free wifi and a cafe.  Here groups hold meetings, people do work on laptops, some folks chat while others quietly read.  While it may not sound much different than a typical coffee house – it is.  There is no pressure to buy anything, no sign in sheet or regulated time slots.  The cafe is a bonus; a side attraction to this community hub.  As public spaces disappear or become commodified, this kind of environment seems increasingly scarce, especially in large cities.

Another example of an inviting community gathering space is Pielab in Greensboro, SC (right).  I first read about this shop in the Jan. issue of ID magazine.  The shop was initiated by Project M, a group of designers hoping to use the humble slice of pie and a cup of coffee as a way to start conversation and build relationships within the town.  The shop’s success has enabled it to become a permanent institution, one that still serves affordable pie, but also helps train local youth in culinary arts, holds exhibitions and even offers the occasional ballroom dancing class.  Its simplicity and openness has allowed it to evolve and become a true community center.

These are the kind of places I wish museums could be.  While some insitutions’ face limitations because of their physical space, I think there is room to get creative.  Not every museum has to host ballroom dancing or offer free internet, but perhaps some should.  There is an opportunity for museums to fill the void left by our vanishing public spaces; it may not be a model that’s right for every institution, but a slice of pie never hurt anyone.

Phone Booth Library

May 23rd, 2010

The town of Westbury-sub-Mendip in southern England recently created their own town library after the local bookmobile was cut from budgets.  Community members took matters into their own hands and converted an unused phone booth (bought from the local telephone company for one pound) into a book and video swap shop.  Volunteers check titles on a regular basis to make sure books are moving – all unloved items go to the thrift store.

The phone company, BT, which has had to decommission many booths in recent years, has set-up an application process for villages to re-use the booths in their communities.  I love this project, it helped the town and the business…and created a library that’s open 24 hours!

(via inhabitat)

Museum of Everything: Exhibit 2

May 18th, 2010

The Museum of Everything is an amazing London based institution that showcases the work of the uncelebrated artist.  These are the untrained and unseen creators of our world.  Last weekend, the museum held its second exhibition in the Tate Modern.

For this show, the museum opened up the entry process to everyone – people could stop by the Tate, have their work hung up and possibly selected for the Museum of Everything’s permanent collection.  It was a great idea for engaging audiences.  As I wandered the exhibit however, I was disappointed to see that they did not put up any names or information about the participants or their work.  Even though it was an off-site show, a simple printer, typewriter or hand written card would have made looking at each piece much more interesting.  Looking forward to when the MoE re-opens (fingers crossed) in London again this fall.

V&A Patchwork Pattern Maker

April 17th, 2010

The V&A has opened a new exhibition on quilts that I have yet to see.  Browsing through their website I came across the Patchwork Pattern Maker, an online tool which allows visitors to select photos from the V&A collection, or upload their own, and transform the pics into a quilt pattern.  This is such a simple and lovely add-on for the show, allowing people to take their interest in the subject matter further by making a quilt of their own.  While I’ve only tackled the most basic Denyse Schmidt projects, with the help of the pattern maker I’m ready to take things to the next level.

Portfolio: Denver Community Museum

April 11th, 2010

The Denver Community Museum (DCM) was a temporary, pop-up museum which ran from October 2008 – April 2009 in an unused storefront in downtown Denver.  It was, in effect, an institution with an expiration date.  Challenging the notions of permanent vs. temporary, past vs. present and fact vs. fiction the project aimed to examine the evolution of a museum and the roles of visitor participation.

The contents for each month-long exhibition were entirely community generated.  A series of projects were announced – serving as calls for participation, which were open to all Denver area residents.  These challenges posed a creative test, which individuals could interpret and solve as they pleased.  Every month a new challenge was issued and the previous challenges’ results were displayed within the museum.  As a result, each month a new community collection was created to be put on display.

The DCM’s exhibitions included: The Missing Map, Mummify Me, 29, My Little Mania, Bottled Up!, Wonder Room and Looking for Loci.  Submissions came in all forms; ranging from objects and drawings to audio clips and writing.  The museum was free both to visit and participate in.  There were no size limits, age limits or skill level required and nothing was for sale.

To read more and see photos of all the artifacts visit the Denver Community Museum.

Poesy Praxis

March 30th, 2010