Archive for the ‘spaces’ Category

Imagination Station

Tuesday, November 2nd, 2010

I have a growing fascination with Detroit.  Once considered a shining example of US industry and American products, it is now mainly known for its high crime rates and abandoned neighborhoods.  But it is also a city with amazing potential.  More and more frequently I am reading inspirational stories of re-building and community collaboration.

One such endeavor is the Imagination Station, a new non-profit founded by Jerry Paffendorf and Mary Lorene Carter, but made possible through the work of many many more in the community.  When two run down buildings in the Corktown neighborhood went up for auction, Paffendorf and local resident Jeff DeBruyn bought the structures for $500 a piece.   One is burned out and slated for demolition, but will be transformed into a public outdoor meeting/art space.  The building next door will be renovated to create a new community center, with room for artists in residence and other activities.

The Imagination Station successfully completed a Kickstarter campaign for initial funding and they are now working on the next phase.  But in the meantime, they are using every opportunity to document, create and share their work.  Before the burned structure is torn down, artist Catie Newell has made a stunning installation.   The organizers will be sharing their entire process, from fundraising to building, on their website with the aim of inspiring others to replicate the process in their own neighborhoods.  This concentrated community effort and support has resulted in a nimble operation that can make its own rules.  As quoted by the Metro Times, “If major foundations and nonprofits were involved in the Imagination Station, as they would have to be in a city like Chicago, there’d have to be 6,800 meetings before anything got accomplished,” Debruyn says.

When I created the Denver Community Museum I had the same feeling.  As an individual there were no grants to apply for and partnering with a local institution may have delayed the project (by several years).  I am intrigued by people/organizations who are making things happen using new models.   The Imagination Station is one amazing example.  Founder Jerry Paffendorf is also undertaking another project called Loveland, a micro financing platform that is both innovative and inspirational.  More to come on that one in my next post.

Listening Tents

Thursday, July 29th, 2010

I think everybody loves a secret hideaway; there is something very special and almost magical about being in a tent.  I recently came across two projects that got me thinking about these kind of specialized spaces and the possibilities of using them in cultural institutions.

The first project took place at this year’s Port Eliot Literary Festival in Cornwall.  The organizers invited artist Dré Wapenaar to showcase his ‘Tent Village Revisited’ (middle), a series of rounded structures clustered like woodland mushrooms.   The tents were available throughout the event for, “…communal conversations and interactions as well as a place to chill out with fellow festival-goers.”

The Weisman Art Museum in Minnesota recently started Tent Services, a program where citizens can check out  ‘Expeditionary Conversation Tents’ (bottom) for use inside or out of the museum. The premise is simple; the tents are available for free, provided users share some information about what took place during their expedition along with some photos.  Designed by Peter Haakon Thompson, these tents create a lovely, focused space for personal interaction, something not always easily achieved in the hustle and bustle of larger buildings.

(top left image: The Paper Tent)

The Selby Window Apartment

Friday, June 18th, 2010

The Selby is a photography website that has gained fame by capturing the world of creatives in their living/work environments.  A few months ago Todd Selby released a book of his work and promoted it at the Paris boutique Colette.  The Selby took over the shop’s front window (top) and set-up residence for five days with a whole range of events, including everything from karaoke to interior design consultations (bottom right).  All events were open to the public and free of charge.

Community Spaces: Southbank Centre and Pielab

Saturday, June 12th, 2010

This past year, living in the crowded expensive city of London, I have come to really treasure open community spaces.  One spot that I love is London’s Southbank Centre.  This enormous complex houses cultural icons like the Royal Festival Hall and the famous Hayward Gallery.  But of equal importance to me is the building’s simple lobby (left); a place filled with tables, couches, free wifi and a cafe.  Here groups hold meetings, people do work on laptops, some folks chat while others quietly read.  While it may not sound much different than a typical coffee house – it is.  There is no pressure to buy anything, no sign in sheet or regulated time slots.  The cafe is a bonus; a side attraction to this community hub.  As public spaces disappear or become commodified, this kind of environment seems increasingly scarce, especially in large cities.

Another example of an inviting community gathering space is Pielab in Greensboro, SC (right).  I first read about this shop in the Jan. issue of ID magazine.  The shop was initiated by Project M, a group of designers hoping to use the humble slice of pie and a cup of coffee as a way to start conversation and build relationships within the town.  The shop’s success has enabled it to become a permanent institution, one that still serves affordable pie, but also helps train local youth in culinary arts, holds exhibitions and even offers the occasional ballroom dancing class.  Its simplicity and openness has allowed it to evolve and become a true community center.

These are the kind of places I wish museums could be.  While some insitutions’ face limitations because of their physical space, I think there is room to get creative.  Not every museum has to host ballroom dancing or offer free internet, but perhaps some should.  There is an opportunity for museums to fill the void left by our vanishing public spaces; it may not be a model that’s right for every institution, but a slice of pie never hurt anyone.