Archive for the ‘website’ Category

Bookmark 1: Museum of Lost Interactions

Wednesday, October 12th, 2011

I bookmarked the Museum of Lost Interactions (MoLI) website three years ago when the exhibition was about Forgotten Chairs.  Led by professor Graham Pullin, design students at the University of Dundee examine the history of interaction design before our digital age.  In a Museum of Jurassic Technology-esque way, the students then research and exhibit their findings.  Recent exhibitions have included Curious Timepieces and Hats from the Attic. The artifacts presented are a blend of historical fiction, social inquiry and design innovation.  For each display, the students create supporting material for the exhibit; including photos, documentaries and re-creations of the forgotten devices.

I love MoLI because of its specificity – it was designed as an assignment for a University course, but has grown into something much richer.  I am also interested because of the incorporation of design fiction.  Exhibits are about connecting people with information and each other – the methods used to do this are completely open, whether it be from history books, the imagination or an intriguing blend of both.

Tales of Things

Monday, January 3rd, 2011

This seems like a good post to start the new year because it is filled with possibility. Last year, an Oxfam charity shop in Manchester, England did an interesting experiment with RFID tags and QR codes. They allowed people donating goods to record the stories (or histories) of their items. These recordings were then made available in the store through a hacked iphone that read the item-associated RFID tags, but they were also accessible to any device that could read QR codes (those barcode looking squares available in many smartphone apps).

The project was part of a larger effort by several UK universities to create a site, called Tales of Things, for sharing personal and social histories.  While there are several obvious ways these kinds of tags can be used in museum-type settings, it is interesting to ponder other uses as well.  Imagine buying a product that has been tagged in every step of the production and transportation process.  Relatives passing down stories of family heirlooms.  Or, as this article in the NY Times pointed out, your tagged tennis racquet updating your location on Foursquare.  The future is scary and awesome.

Enchanted Palace

Thursday, December 30th, 2010

Receiving lots of end of the year love from Nina Simon and Peter Linett.  Nina was kind enough to list Poesy & Praxis on her list of new blog discoveries, (thanks Nina!).  For newcomers, Poesy & Praxis is a studio that does freelance curatorial work and ideation around participatory/engaging cultural experiences.  If you have questions or thoughts, please email!

Also, Peter Linett invited me to post about the Enchanted Palace exhibition, currently on show at Kensington Palace.  You can read the full review here.  Out of a full year of visiting museums and shows in London this was one of the highlights.

For more museum related links you can also follow me on Twitter (@designklub).  I also do freelance writing about modern design so Tweets are usually mixed topics.

Collectish

Thursday, December 30th, 2010

Collectish is a website developed by Museum Victoria that allows people to share their collections.  The site is simple, clean and has user friendly options like rating, commenting and organizing.  While Collectish still seems to be in its infancy, it looks like it could be a great resource for both collectors and the curious visitor.  The website Micurio is similar in spirit; a place to catalogue all your collections in one spot.  These websites could be a dream for people like my father who have so many collections they can’t even keep track (we’re talking everything from decoys to glass canes), and who want to connect with other collectors.  Could also be an interesting resource for museums looking to create exhibits or expand their own collections.

Golden Hook

Tuesday, December 14th, 2010

It seems like more and more people want to know the story behind the products they buy, not only for environmental concerns but also to feel personally connected in a sometimes anonymous virtual world.   After reading books like The Mesh and Collaborative Consumption, these kinds of business ideas make so much sense to me.

The Golden Hook is an example of a business capitalizing on this craving for personal interaction.  Customers choose from a variety of hat designs, which they can customize by color and yarn type.  Then they go on to select the grandmother they want to knit their design.  Golden Hook has an arsenal of grannies that are expert knitters and are also looking to earn some extra income.  It’s a mutually beneficial relationship; the kind that I think so many businesses are trending towards.  I also like to ponder how these types of projects can be applied to our cultural institutions.  I’m having visions of stories about museum acquisitions and personalized curatorial stories…slightly different than dancing sugar plums.

Save Our Sounds

Thursday, December 9th, 2010

The BBC has a website called Save Our Sounds, where users can upload a sound clip from anywhere around the world.  I just uploaded a sound (you can listen below) from my recent visit to Venice, Italy.  While staying in the monastery at the Madonna dell’Orto (a 14th century church), I recorded a short clip of the choir practicing.  The BBC’s aim is to save the world’s endangered sounds for future generations.  I just love this project, the website was really easy to use and anyone can listen to sounds from around the world.  The British Library has launched a similar version just for the UK.

Madonna dell’Orto Choir Practice

The Johnny Cash Project

Saturday, December 4th, 2010

I just came across this project while preparing for an upcoming presentation for Denver museums.  Director Chris Milk decided to create a special tribute to Johnny Cash when making a video for the song “There Ain’t No Grave.”  Milk launched a website that allows users to select a frame from the video and create a drawing of the scene.  The user submitted images are linked together to create a complete film.  As of October, the website collected over 250,000 submissions (it launched in March) and it is still collecting contributions.  Just watch the video above, so beautiful.

Evaluating Progress

Tuesday, October 19th, 2010

In the weeks leading up to the election, the Democrats have cleverly unveiled a simple, yet powerful tool to demonstrate the work they have done for the past two years.  Users to the PROGRESS website can type in their zip code and immediately see the impacts the Obama administration has made on their community.  Sources are listed, links provide more information – not only showing what has been accomplished, but also explaining  the challenges our government has faced.

Seeing this website made me wonder how it could be applied to cultural institutions.  What have you offered your community over the past several years?  Increased programming? More lesson plans reaching more students?  Digitizing X number of artifacts?  I think this would be an interesting area for a museum or other cultural venue to explore.  I could imagine a simple tool like this could accompany annual reports, being updated quarterly.  But it could also be a very effective way for museums to share their efforts with the public; not only to prove their worth, but also share in a straightforward way all the programs they offer.  The public may be surprised at the resources that are actually available right in their own community, which could lead to increased attendance and revenue.

DAM’s Collective

Sunday, September 5th, 2010

I have long been a fan of the Denver Art Museum’s (DAM) monthly late night events called Untitled.  It seems DAM is now trying to expand their community oriented programming even further by introducing the Collective, a microsite that bundles all of DAM’s innovative events into one location.  One of the features that caught my eye is their recently launched DDIY, which stands for Digital Do-It-Yourself.  Every month DAM posts a creative project and asks users to upload their results, similar to the site Learning to Love You More.   The first DDIY had participants ‘Make a Still Life for Your Afterlife’ (above) to coincide with their King Tut exhibition.  While participation currently seems to be a little low, the site is still fairly new. This is another positive step for the DAM in creating a more inclusive visitor experience – looking forward to seeing how the site evolves.

V&A Patchwork Pattern Maker

Saturday, April 17th, 2010

The V&A has opened a new exhibition on quilts that I have yet to see.  Browsing through their website I came across the Patchwork Pattern Maker, an online tool which allows visitors to select photos from the V&A collection, or upload their own, and transform the pics into a quilt pattern.  This is such a simple and lovely add-on for the show, allowing people to take their interest in the subject matter further by making a quilt of their own.  While I’ve only tackled the most basic Denyse Schmidt projects, with the help of the pattern maker I’m ready to take things to the next level.